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Old 07-14-2012   #781 (permalink)
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Against Whatever It Is That's Encroaching

by Charles Simic

Best of all is to be idle,
And especially on a Thursday,
And to sip wine while studying the light:
The way it ages, yellows, turns ashen
And then hesitates forever
On the threshold of the night
That could be bringing the first frost.

It's good to have a woman around just then,
And two is even better.
Let them whisper to each other
And eye you with a smirk.
Let them roll up their sleeves and unbutton their
shirts a bit.
As this fine old twilight deserves,

And the small schoolboy
Who has come home to a room almost dark
And now watches wide-eyed
The grownups raise their glasses to him,
The giddy-headed, red-haired woman
With eyes tightly shut,
As if she were about to cry or sing.
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Old 12-01-2012   #782 (permalink)
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Last Day on Earth

by Lawrence Raab

If it's the title of a movie, you expect
everything to become important—a kiss,
a shrug, a glass of wine, a walk with the dog.

But if the day is real, life is only
as significant as yesterday—the kiss
hurried, the shrug forgotten, and now,

on the path by the river, you don't notice
the sky darkening beyond the pines because
you're imagining what you'll say at dinner,

swirling the silky wine in your glass.
You don't notice the birds growing silent
or the cold towers of clouds moving in

because you're explaining how lovely
and cool it was in the woods. And the dog
had stopped limping!—she seemed

her old self again, sniffing the air and alert,
the way dogs are to whatever we can't see.
And I was happy, you hear yourself saying,

because it felt as if I'd been allowed
to choose my last day on earth,
and this was the one I chose.
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Old 12-06-2012   #783 (permalink)
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Subtotals

by Gregory Burnham


Number of refrigerators I’ve lived with: 18. Number of rotten eggs I’ve thrown: 1. Number of finger rings I’ve owned: 3. Number of broken bones: 0. Number of Purple Hearts: 0. Number of times unfaithful to wife: 2. Number of holes in one, big golf: 0; miniature golf:3. Number of consecutive push-ups, maximum: 25. Number of waist size: 32. Number of gray hairs: 4. Number of children: 4. Number of suits, business: 2; swimming: 22. Number of cigarettes smoked: 83. Number of times I’ve kicked the dog: 6. Number of times caught in the act, any act: 64. Number of postcards sent: 831; received: 416. Number of spider plants that died while under my care: 34. Number of blind dates: 2. Number of jumping jacks: 982,316. Number of headaches: 184. Number of kisses, given: 21,602, received: 20,041. Number of belts: 21. Number of f***kups, bad: 6; not so bad: 1,500. Number of times swore under breath at parents: 838. Number of weeks at church camp: 1. Number of houses owned: 0. Number of houses rented: 12. Number of hunches played: 1,091. Number of compliments, given: 4,051; accepted: 2,249. Number of embarrassing moments: 2,258. Number of states visited: 38. Number of traffic tickets: 3. Number of girlfriends: 4. Number of times fallen off playground equipment, swings: 3; monkey bars: 2; teeter-totter: 1. Number of times flown in dreams: 28. Number of times fallen down stairs: 9. Number of dogs: 1. Number of cats: 7. Number of miracles witnessed: 0. Number of insults, given: 10,038; received: 8,963. Number of wrong telephone numbers dialed: 73. Number of times speechless: 33. Number of times stuck key into electrical socket: 1. Number of birds killed with rocks: 1. Number of times had the wind knocked out of me: 12. Number of times patted on the back: 181. Number of times wished I was dead: 2. Number of times unsure of footing: 458. Number of times fallen asleep reading a book: 513. Number of times born again: 0. Number of times seen double: 28. Number of deja vu experiences: 43. Number of emotional breakdowns: 1; Number of times choked on ones, chicken: 4; fish: 6; other: 3. Number f times didn’t believe parents: 23,978. Number of lawn-mowing miles: 3,575. Number of light bulbs changed: 273. Number of childhood home telephone: 384-621-5844. Number of brothers: 3 2. Number of passes at women: 5. Number of stairs walked, up: 745-821; down: 743,609. Number of hats lost: 9. Number of magazine subscriptions: 41. Number of times seasick: 1. Number of bloody noses: 16. Number of times had sexual intercourse: 4,013. Number of fish caught: 1. Number of time heard “The Star Spangled Banner”: 2,410. Number of babies held in arms: 9. Number of times I forgot what I was going say: 631.

Last edited by melliedee; 12-06-2012 at 09:53 AM..
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Old 12-17-2012   #784 (permalink)
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AMAZING PEACE

by Maya Angelou

In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now.
Louder than the explosion of bombs.

We tremble at the sound.
We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But true Peace.
A harmony of spirit, and comfort of courtesies.
Security for our beloveds and their beloveds.

We, Angels and Mortals, Believers and Nonbelievers,
Look heavenward and speak the word aloud.
Peace. We look at each other, then into ourselves,
And we say without shyness or apology or hesitation:

Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
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Old 02-14-2013   #785 (permalink)
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I Love You Sweatheart

by Thomas Lux

A man risked his life to write the words.
A man hung upside down (an idiot friend
holding his legs?) with spray paint
to write the words on a girder fifty feet above
a highway. And his beloved,
the next morning driving to work…?
His words are not (meant to be) so unique.
Does she recognize his handwriting?
Did he hint to her at her doorstep the night before
of "something special, darling, tomorrow"?
And did he call her at work
expecting her to faint with delight
at his celebration of her, his passion, his risk?
She will know I love her now,
the world will know my love for her!
A man risked his life to write the words.
Love is like this at the bone, we hope, love
is like this, Sweatheart, all sore and dumb
and dangerous, ignited, blessed - always,
regardless, no exceptions,
always in blazing matters like these: blessed.

Last edited by melliedee; 02-14-2013 at 05:14 PM..
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Old 03-23-2013   #786 (permalink)
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I'm reading about Louise Gluck in the NY Review of Books, and discovered this poem.

All Hallows

Even now this landscape is assembling.
The hills darken. The oxen
Sleep in their blue yoke,
The fields having been
Picked clean, the sheaves
Bound evenly and piled at the roadside
Among cinquefoil, as the toothed moon rises:

This is the barrenness
Of harvest or pestilence
And the wife leaning out the window
With her hand extended, as in payment,
And the seeds
Distinct, gold, calling
Come here
Come here, little one

And the soul creeps out of the tree.

--Louise Gluck
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Old 03-28-2013   #787 (permalink)
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I like that one, Sue.

My students have this one for today:



Quinnapoxet

Stanley Kunitz

I was fishing in the abandoned reservoir
back in Quinnapoxet,
where the snapping turtles cruised
and the bullheads swayed
in their bower of tree-stumps,
sleek as eels and pigeon-fat.
One of them gashed my thumb
with a flick of his razor fin
when I yanked the barb
out of his gullet.
The sun hung its terrible coals
over Buteau's farm: I saw
the treetops seething.

They came suddenly into view
on the Indian road,
evenly stepping
past the apple orchard,
commingling with the dust
they raised, their cloud of being,
against the dripping light
looming larger and bolder.
She was wearing a mourning bonnet
and a wrap of shining taffeta.
“Why don't you write?” she cried
from the folds of her veil.
“We never hear from you.”

I had nothing to say to her.
But for him who walked behind her
in his dark worsted suit,
with his face averted
as if to hide a scald,
deep in his other life,
I touched my forehead
with my swollen thumb
and splayed my fingers out –
in deaf mute country
the sign for father.
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Old 03-30-2013   #788 (permalink)
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Song

by Brigit Pegeen Kelly

Listen: there was a goat's head hanging by ropes in a tree.
All night it hung there and sang. And those who heard it
Felt a hurt in their hearts and thought they were hearing
The song of a night bird. They sat up in their beds, and then
They lay back down again. In the night wind, the goat's head
Swayed back and forth, and from far off it shone faintly
The way the moonlight shone on the train track miles away
Beside which the goat's headless body lay. Some boys
Had hacked its head off. It was harder work than they had imagined.
The goat cried like a man and struggled hard. But they
Finished the job. They hung the bleeding head by the school
And then ran off into the darkness that seems to hide everything.
The head hung in the tree. The body lay by the tracks.
The head called to the body. The body to the head.
They missed each other. The missing grew large between them,
Until it pulled the heart right out of the body, until
The drawn heart flew toward the head, flew as a bird flies
Back to its cage and the familiar perch from which it trills.
Then the heart sang in the head, softly at first and then louder,
Sang long and low until the morning light came up over
The school and over the tree, and then the singing stopped....
The goat had belonged to a small girl. She named
The goat Broken Thorn Sweet Blackberry, named it after
The night's bush of stars, because the goat's silky hair
Was dark as well water, because it had eyes like wild fruit.
The girl lived near a high railroad track. At night
She heard the trains passing, the sweet sound of the train's horn
Pouring softly over her bed, and each morning she woke
To give the bleating goat his pail of warm milk. She sang
Him songs about girls with ropes and cooks in boats.
She brushed him with a stiff brush. She dreamed daily
That he grew bigger, and he did. She thought her dreaming
Made it so. But one night the girl didn't hear the train's horn,
And the next morning she woke to an empty yard. The goat
Was gone. Everything looked strange. It was as if a storm
Had passed through while she slept, wind and stones, rain
Stripping the branches of fruit. She knew that someone
Had stolen the goat and that he had come to harm. She called
To him. All morning and into the afternoon, she called
And called. She walked and walked. In her chest a bad feeling
Like the feeling of the stones gouging the soft undersides
Of her bare feet. Then somebody found the goat's body
By the high tracks, the flies already filling their soft bottles
At the goat's torn neck. Then somebody found the head
Hanging in a tree by the school. They hurried to take
These things away so that the girl would not see them.
They hurried to raise money to buy the girl another goat.
They hurried to find the boys who had done this, to hear
Them say it was a joke, a joke, it was nothing but a joke....
But listen: here is the point. The boys thought to have
Their fun and be done with it. It was harder work than they
Had imagined, this silly sacrifice, but they finished the job,
Whistling as they washed their large hands in the dark.
What they didn't know was that the goat's head was already
Singing behind them in the tree. What they didn't know
Was that the goat's head would go on singing, just for them,
Long after the ropes were down, and that they would learn to listen,
Pail after pail, stroke after patient stroke. They would
Wake in the night thinking they heard the wind in the trees
Or a night bird, but their hearts beating harder. There
Would be a whistle, a hum, a high murmur, and, at last, a song,
The low song a lost boy sings remembering his mother's call.
Not a cruel song, no, no, not cruel at all. This song
Is sweet. It is sweet. The heart dies of this sweetness.
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Old 04-01-2013   #789 (permalink)
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Hello, April

The onset of April brings back fond memories of my 11th grade English course (they weren't fond then, however - we had to memorize this in its Middle English pronunciation - according to our teacher, Madame Tuck, who was quite good at it). Now, of course, I'm thankful, and hope never to forget this integral part of my cultural heritage.

On a different 'cultural' level (just to even things out), we students soon discovered that large portions of it could be sung (with appropriate compression of the words when necessary) to the tune of 'Turkey in the Straw' - without the chorus 'refrain' - which seemed to help the memorization process (or 'lend it immediate relevance', as they say - I do, in fact, remember both versions up to about the 'Tabard Inn' reference, where the olde neurons begin to start wandering - or 'goon on pilgramages', as I should probably say).

PROLOGUE TO THE CANTERBURY TALES

Whan that aprill with his shoures soote
The droghte of march hath perced to the roote,
And bathed every veyne in swich licour
Of which vertu engendred is the flour;
Whan zephirus eek with his sweete breeth
Inspired hath in every holt and heeth
Tendre croppes, and the yonge sonne
Hath in the ram his halve cours yronne,
And smale foweles maken melodye,
That slepen al the nyght with open ye
(so priketh hem nature in hir corages);
Thanne longen folk to goon on pilgrimages,
And palmeres for to seken straunge strondes,
To ferne halwes, kowthe in sondry londes;
And specially from every shires ende
Of engelond to caunterbury they wende,
The hooly blisful martir for to seke,
That hem hath holpen whan that they were seeke.
Bifil that in that seson on a day,
In southwerk at the tabard as I lay
Redy to wenden on my pilgrymage
To caunterbury with ful devout corage,
At nyght was come into that hostelrye
Wel nyne and twenty in a compaignye,
Of sondry folk, by aventure yfalle
In felaweshipe, and pilgrimes were they alle,
That toward caunterbury wolden ryde.
The chambres and the stables weren wyde,
And wel we weren esed atte beste.
And shortly, whan the sonne was to reste,
So hadde I spoken with hem everichon
That I was of hir felaweshipe anon,
And made forward erly for to ryse,
To take oure wey ther as I yow devyse.
But nathelees, whil I have tyme and space,
Er that I ferther in this tale pace,
Me thynketh it acordaunt to resoun
To telle yow al the condicioun
Of ech of hem, so as it semed me,
And whiche they weren, and of what degree,
And eek in what array that they were inne;
And at a knyght than wol I first bigynne.
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Old 04-06-2013   #790 (permalink)
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Ron and Kathy have asked me to say a few poems to honor the memory of their son, Zachary. They tell me that Zach was a sweet and loving child who had the very devil in him, what in New England we used to call "a holy terror." Ron suggested I read a short poem expressing a childhood memory by Theodore Roethke, which I once read in church.

Child on the Top of a Greenhouse

(and we might add to the title, "Surronded by Anxious Neighbors")

The wind billowing out the seat of my britches,
My feet crackling splinters of glass and dried putty,
The half-grown chrysanthemnums staring up like accusers,
Up through the streaked glass flashing with sunlight,
A few white clouds all rushing eastward,
A line of elms plunging and tossing like horses,
And everyone, everyone pointing up and shouting!


"Zachary, for all his charm, was different, well acquainted with solitude and well content with his own company and his own ways"

Juggler

Richard Wilbur

It takes a skyblue juggler with five red balls
To shake our gravity up. Whee, in the air
The balls roll round on his wheeling hands
Learning the ways of lightness, alter to spheres
Grazing his finger ends...
Swinging a small heaven about his ears.

He reels that heaven in,
Landing it ball by ball
And he trades it all for a broom, a plate, a table.
Oh, on his toes the table is turning, the broom's
Balancing up on his nose, and the plate whirls
On the tip of the broom! Damn, what a show, we cry:
The boys stamp, and the girls
Shriek, and the drum booms
And all comes down, and he bows and says good-bye

If the juggler is tired now, if the broom stands
In the dust again, if the table starts to drop
Through the daily dark again, and though the plate
Lies flat on the table top,
For him we batter our hands
Who has won for once over the world's weight


"Next out of respect for Zachary's youthful death, I turn to an Elizabethan poet, Ben Johnson, reading a small portion of his poem"

Under-wood

It is not growing like a tree
In bulke, doth make a man better be;
Or standing long an oake, three hundred year,
To fall a logge, at last dry, bald and seare:

A lillie of a day
Is fairer farre, in May,
Although it fall, and die that night;
It was the plante and flowere of light.
In small proportions, we just beauties see:
And in short measures, life may perfect Bee.

"Finally, a little verse by May Sarton which I found without a name. It may be an excerpt from a longer poem. Anyway, I have titled it:

A Benediction

Help us to be the always hopeful
Gardners of the spirit
Who know that without darkness
Nothing comes to birth
As without light
Nothing flowers.

And from Zach's friend Ammon.


I seem to remember a brown Comet barrelling down my street
an old beat up guitar case on its back seat
Cigarette hanging out of his mouth
with a flick of his thumb we were off
to inject some life into this town
and you'd better have some energy to keep up
Like a comet on a quickly ascending arc he flew around
and he redefined the meaning of friend for you

I revisit Java house Saturdays and Zach is moshing
or talking to you about darn near anything you could think of
The easiest thing ever was to spend a day with him
and he redefined freedom for you

Punk rock heaven just got a new guitarist
and he can wail like any Hendrix with just a hint of NOFX
and my ears still ring and will forever ring
with that immense and beautiful note
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Old 04-16-2013   #791 (permalink)
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In the Loop

BY BOB HICOK

I heard from people after the shootings. People
I knew well or barely or not at all. Largely
the same message: how horrible it was, how little
there was to say about how horrible it was.
People wrote, called, mostly e-mailed
because they know I teach at Virginia Tech,
to say, there’s nothing to say. Eventually
I answered these messages: there’s nothing
to say back except of course there’s nothing
to say, thank you for your willingness
to say it. Because this was about nothing.
A boy who felt that he was nothing,
who erased and entered that erasure, and guns
that are good for nothing, and talk of guns
that is good for nothing, and spring
that is good for flowers, and Jesus for some,
and scotch for others, and “and” for me
in this poem, “and” that is good
for sewing the minutes together, which otherwise
go about going away, bereft of us and us
of them. Like a scarf left on a train and nothing
like a scarf left on a train. As if the train,
empty of everything but a scarf, still opens
its doors at every stop, because this
is what a train does, this is what a man does
with his hand on a lever, because otherwise,
why the lever, why the hand, and then it was over,
and then it had just begun.
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